Main Page
From S E B A S T I E N G O Y
(remove <randomimage width="600"><div align="left">A random image of a work</div></randomimage>) |
|||
| Line 1: | Line 1: | ||
| + | [[File:Artworks map F1F2.png|x733px|frameless|right|Artworks map]] | ||
| + | |||
| + | |||
| + | |||
| + | |||
| + | |||
My artistic practice increasingly revolves around Authority: the forms its political, scientific and artistic instances adopt, the means of legitimation they deploy and the responses they trigger - be it obedience, influence or abhorrence. I question the relationships between these instances, study their collisions, their discursive cannibalism. I engage these means and responses plastically, as a medium to be explored using our experience of producers and recipients of authoritarian interactions. The investigation usually oscillates between a performative-naive approach and a linguistic-ironic take on my own reactions. A form of fetishism for epistemic and aesthetic beauty, or rather: a nostalgia for formal beauty, occasionally surfaces. My works thus encompass naive resistances against the powers that (would) be, mourning of a lost allegiance, longing for new one, ironic bravados and critical plays on legitimacy. | My artistic practice increasingly revolves around Authority: the forms its political, scientific and artistic instances adopt, the means of legitimation they deploy and the responses they trigger - be it obedience, influence or abhorrence. I question the relationships between these instances, study their collisions, their discursive cannibalism. I engage these means and responses plastically, as a medium to be explored using our experience of producers and recipients of authoritarian interactions. The investigation usually oscillates between a performative-naive approach and a linguistic-ironic take on my own reactions. A form of fetishism for epistemic and aesthetic beauty, or rather: a nostalgia for formal beauty, occasionally surfaces. My works thus encompass naive resistances against the powers that (would) be, mourning of a lost allegiance, longing for new one, ironic bravados and critical plays on legitimacy. | ||
Please not that this description only accounts for 70,55% of my production. | Please not that this description only accounts for 70,55% of my production. | ||
| - | |||
| - | |||
Revision as of 10:41, 14 December 2010
My artistic practice increasingly revolves around Authority: the forms its political, scientific and artistic instances adopt, the means of legitimation they deploy and the responses they trigger - be it obedience, influence or abhorrence. I question the relationships between these instances, study their collisions, their discursive cannibalism. I engage these means and responses plastically, as a medium to be explored using our experience of producers and recipients of authoritarian interactions. The investigation usually oscillates between a performative-naive approach and a linguistic-ironic take on my own reactions. A form of fetishism for epistemic and aesthetic beauty, or rather: a nostalgia for formal beauty, occasionally surfaces. My works thus encompass naive resistances against the powers that (would) be, mourning of a lost allegiance, longing for new one, ironic bravados and critical plays on legitimacy.
Please not that this description only accounts for 70,55% of my production.
